Musical Performance
Musician Blog for Musical Instruments, Music Equipments, Music Books and Music Downloads by Music Genres
21 November, 2008
The Woodwind Family: Flute, clarinet, saxophone, and Double Reeds part 4

The double-reed family of woodwinds consists of the oboe, English horn, bassoon, and contrabassoon. Each has a double reed made of cane that the player holds between his lips and blows air through, just as you did earlier with the paper drinking straw.

There have been many types of double-reed instruments throughout history. Imported to Europe from the Orient, they have rather strange names such as bombarde, pommer, schryari, krummhorn, and rackett. It was during the seventeenth century that these instruments began taking on the appearance and sound of our modern instruments. (More…)

Themes in Music: Trombone

In the score the music for the trombone is written in a bass or tenor clef on the stave over and sometimes beneath that of the timpani. The compass is two octaves and a sixth. The sound, produced by means of a shallow cupped mouthpiece which is lip vibrated, is powerful and rich in harmonics. (More…)

The Timpani, Successful contribution to the Music

The part for the timpani, or kettle drums, is written on a stave above that of the first stringed instrument, be it harp, violins, or that other percussion instrument, the piano. The notes to which the two or three drums are to be tuned are named at the beginning of the score, any alterations being indicated as they occur. Each drum has a compass of a fifth. (More…)

The Harp, Mystery ancient Music, full of Magic

The stave for the harp is written under that of the percussion. Reading downwards it is the first stringed instrument in the score. Since it has a wide compass — of six and a half octaves — the music occupies two staves, the notation for the right hand being written in the treble clef and that of the left generally in the bass clef.

There is something lonely-looking and remote about the single harpist, by tradition usually a woman, arriving early on the platform to tune more than forty strings — some of gut or nylon, some wound wire and some copper. A blast or two of hot or cold air from an off-stage corridor can spoil her endeavours, as can the rising heat and humidity in the hall once the audience has seated itself. (More…)



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