Musical Performance
Musician Blog for Musical Instruments, Music Equipments, Music Books and Music Downloads by Music Genres
21 November, 2008
The Quality Timbre of Trumpet Ignored by the Concert continue…

Before Bach, trumpeters were classified as principals and clarino players, the former playing in the lower register with its widely-stepped harmonics, the latter in the high register where the harmonics lie close together. Shanks and crooks were already used as early as 1600 and by the end of the 18th century there were crooks for every key. These altered the timbre of the instrument, and there was some degree of energy loss as the vibrating air column negotiated the loops. Then came the valves, introducing more loops, and someone writing at the time of their application, towards the end of the 19th century, described them as ‘a failure as they obscure the upper harmonics, the main source of characteristic tone’. (More…)

The Quality Timbre of Trumpet Ignored by the Concert

The part for the trumpet is written on the stave immediately below that of the horns. Whether it is written for as it actually sounds or as a transposing instrument depends on the period of the music, the pitch of the trumpet and on the habit or preference of the composer.

The burnished physical appearance and the sound of this looped and narrow bore instrument are familiar and not likely to be confused with the shorter and wider cornet, because the cornet’s less noble tones are not often heard in the symphony orchestra (although Franck included it in his symphony). (More…)

Themes in Music: Trombone

In the score the music for the trombone is written in a bass or tenor clef on the stave over and sometimes beneath that of the timpani. The compass is two octaves and a sixth. The sound, produced by means of a shallow cupped mouthpiece which is lip vibrated, is powerful and rich in harmonics. (More…)

The Timpani, Successful contribution to the Music

The part for the timpani, or kettle drums, is written on a stave above that of the first stringed instrument, be it harp, violins, or that other percussion instrument, the piano. The notes to which the two or three drums are to be tuned are named at the beginning of the score, any alterations being indicated as they occur. Each drum has a compass of a fifth. (More…)

The Organ, the earliest mechanical Musical Instruments

The organ is the earliest known of all mechanically operated musical instruments and not, as is sometimes stated, one of the earliest musical instruments. The first known organ dates from the 3rd century BC. This was a hydraulos, with a clever system of maintaining wind pressure by incorporating a water cistern in the wind reservoir; when the wind pressure sank, the water level rose to maintain it. (More…)

The Harpsichord Musical Instrument, make Sound ever before

The harpsichord has a shallower cabinet than that of the piano, and the legs are prettier. If historical accuracy has been observed in its making it will have no foot pedals but instead hand stops placed in the right and the left of the keyboard. Very likely there will be two manuals or keyboards which are stepped. Harpsichordists sit very still as they play. As the strings are plucked by means of tiny quills, no additional volume is to be gained by exerting force or using arm weight. Only a rapid, almost plucking action of the fingers is necessary. No changes of volume are possible, but alterations of timbre are, and these are achieved by a combination of the hand stops. The hand stops engage additional ranks of strings, or alter the point at which they are plucked. The number of ranks of strings and hand stops vary according to the date and make of the instrument. (More…)

Musical Instruments the Piano, Play the Beautiful Songs wherever you are

The piano is rarely used as an instrument of the orchestra, but when it is the part is written in the score between the percussion and strings. The piano is a percussion instrument since the strings are struck by hammers.

Today the piano is the heaviest of all musical instruments, the cabinet being uniformly sombre in colour and the several legs of muscular appearance on account of the weight they have to bear.Unlike any other instrument of the orchestra the name of the maker could sometimes be read by the audience because it used to be announced in large letters. (More…)

The Violin, String Musical Instrument, Music and Songs from the Heaven continue…

Today violinists in the orchestra all play the type of instrument evolved during the 18th century, with a Tourte design bow. The more fortunate among them possess original but modified violins of the Cremonese school. These fetch very high prices in the auction rooms today. In the last century £200 to £5oo (then about $800 to $2000) was considered to be an excessive price for a Guarnerius or an Amati for, it was pointed out, the principal violin makers of the late 19th century, Thibouville-Lamy, with extensive premises in London and Paris, manufactured and sold violins for four shillings and sixpence (then about one dollar) and made a profit of 15%. (More…)

The Violin, String Musical Instrument, Music and Songs from the Heaven

The part for the first violins, the first and the most important of the bowed string instruments, is written in the score in the treble clef on a stave above the second violins. The strings of the violin are tuned to G D A E and have a compass of 32 octaves. Until fairly recently some orchestras preferred to have their violins strung exclusively with gut, but the thin top string has a tendency to break easily, so it has been replaced by wire, tuned by a small sensitive screw on the tail piece. Today a violin might be strung entirely with metal, each string having a tail piece screw, or some strings may be gut wound with aluminium, silver or copper.

The variety of sounds and effects that can be produced from the violin exceeds that of any other single instrument of the orchestra, but owing to what is called a formant it is always possible to identify the violin as being the source. (More…)



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