Musical Performance
Musician Blog for Musical Instruments, Music Equipments, Music Books and Music Downloads by Music Genres
19 November, 2008
Jazz, Rhythms from African Music

Jazz is a mixture of many different kinds of music. Although jazz is now played nearly all over the world, its true ‘home’ is the United States of America. This is where jazz began almost 100 years ago. Early jazz was created by black-American people, the descendants of slaves who were brought from Africa. Their jazz was a combination of a kind of sad folk music called blues, mixed with melodies and rhythms from African music, church music, brass band music and from popular dances. (More…)

Grab a Music Ticket, Going to a Concert

Going to any kind of musical concert is exciting. But concerts vary according to the type of music that will be played. So when you buy your ticket, how will you know what to expect?

A classical concert

If you are lucky enough to be able to listen to a well-known orchestra playing in a large concert hall, your ticket might be expensive. You might even have to dress up for the occasion! It’s a good idea to listen to a recording of the music beforehand. Then you will know about the music and be able to appreciate it. (More…)

Folk Instruments: the Guitar, Fiddle, Banjo, and many more continue…

A similar, but more complicated instrument is the zither. This is a folk instrument from northern Europe that has thirty to forty strings stretched across a flat, hollow sound box. The four top strings are used for playing the melody, while the rest of the strings are plucked and strummed to provide the accompaniment. The right hand plucks and strums, and the left hand stops the melody strings against the frets of a guitarlike fingerboard.

When Johann Strauss composed his famous waltz Tales from the Vienna Woods, he included a charming solo for the zither in the orchestral score. (More…)

Folk Instruments: the Guitar, Fiddle, Banjo, and many more

Folk music is music of the common people. Created by someone who has a story to tell rather than composed by a trained musician, it is simple and easy to understand. Folk songs have easy, singable melodies, use simple harmonies, and (unless the song tells a sad story) have rhythms that are fun for dancing. The instruments of folk music are the instruments people happened to have around at the time. Sometimes inventive people built their own instruments if no others were available. (More…)

The Flute continue…

Repertoire

According to Berlioz the flute ‘is an instrument well-nigh devoid of expression, but which may be introduced anywhere and everywhere, on account of its facility in executing groups of rapid notes, and in sustaining high sounds useful in the orchestra for adding fullness to the upper harmonies.’ This is a fair description of the way the flute is generally written for in orchestral works, but there are many exceptions. The sounds of the middle and upper registers combine well with any ensemble and add lustre. The lower register lacks penetration but has a soft and seductive quality. ‘These low sounds‘, wrote Berlioz in his Treatise on Instrumentation, `are seldom, or else ill, employed by the majority of composers.’ All the great orchestrators have however always known how to write for the low register. (More…)

The Harp, Mystery ancient Music, full of Magic continue…

An immense variety of harps have been played in different countries at different times. One of the most important is the triple harp, a high-headed frame type with three ranks of strings, the outer two providing the diatonic notes of the scale and the inner, the accidentals. This was known in the 4th century and was the first fully chromatic harp. Like the old Irish harp it had a clear, bell-like sound, the technique in this case being to strike rather than to pluck or pull the strings. It was played well into the 20th century in Wales and was known as the Welsh harp. The only known scoring for it was in Handel’s Esther. (More…)

The Harp, Mystery ancient Music, full of Magic

The stave for the harp is written under that of the percussion. Reading downwards it is the first stringed instrument in the score. Since it has a wide compass — of six and a half octaves — the music occupies two staves, the notation for the right hand being written in the treble clef and that of the left generally in the bass clef.

There is something lonely-looking and remote about the single harpist, by tradition usually a woman, arriving early on the platform to tune more than forty strings — some of gut or nylon, some wound wire and some copper. A blast or two of hot or cold air from an off-stage corridor can spoil her endeavours, as can the rising heat and humidity in the hall once the audience has seated itself. (More…)



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