Musical Performance
Musician Blog for Musical Instruments, Music Equipments, Music Books and Music Downloads by Music Genres
26 August, 2008
Playing Music with the Clarinet

The clarinet is generally described as being a stopped cylindrical tube, but in fact only roughly two thirds are perfectly cylindrical. Part of the tube leading to the bell is conical, and so is the mouthpiece, which does not hermetically seal the top.

These factors, plus the fact that the surface of the bore of the tube is not perfectly smooth on account of the key holes, all contribute to the complex timbre. Uneven harmonics are present in force in the lower register and diminish in number towards the higher, where even harmonics are present. (More…)

The Saxophone

The saxophone has to be treated as a family of seven instruments of different sizes, each one covering 4 octaves and all seven a compass of 51 octaves. Saxophones look like outsize metal tobacco pipes supported by neck slings, apart from the sopranos which are shorter, parabolic cones. All have a single reed, clarinet-type mouthpiece. Classed as woodwinds, though made of brass, their part is written in a treble clef on a stave beneath the clarinets. (More…)

Make and Play Classic Music with Bassoon

The bassoon has a compass of 31 octaves. It is written for in a bass or tenor clef on a stave in between the clarinet and the horn.

This large woodwind instrument, usually made of maple, can be identified by the fact that it is held diagonally across the body, supported by a neck sling or sometimes by a floor spike in the butt or bottom of the tubing. The longish, curved crook that carries the double reed is another distinguishing feature. The sound has different characteristics in different registers, but in legato passages in the upper register the sound has been compared to that of the human voice, and therefore has been called vox humana. (More…)

Your special Music Instrument, French Horn and Brilliant Playing Technique

Horn parts are written in treble and bass clefs without key signature, accidentals being written in as they occur. The horn is a transposing instrument and sounds a fifth lower than written in the treble clef but a fourth higher in the bass clef.

In his book on the French horn Morley Pegge described the sound of the instrument as ‘the most refined and poetical voice in the symphony orchestra’. Its emotional range certainly covers the moods from martial to melancholy. (More…)

History of Percussion continue…

The bass drum stands vertically, the rim of the shallow wooden shell facing the audience. This was originally known as the Turkish drum. Sometimes it has two heads, sometimes only one, the former model producing somewhat greater clarity. It is beaten with upward — or downward — glancing blows with a soft stick, and sometimes brushed simultaneously on the other side with a switch of sorts. (More…)

History of Percussion

The staves for the percussion instruments are massed in the middle of the score. Who plays what depends on manpower, availability and ability.

The glockenspiel and celesta are both metallophones, the first having a resemblance to a small xylophone and the second to a small piano.

`Glockenspiel‘ means ‘bell-play’ in German. The glockenspiel used in marching bands is a set of steel bars set in a lyre-shaped frame. Mozart specified an instrumento d’ acciaio (steel instrument) for the part of Papageno’s magic bells in Die Zauberflote; this may have been a set of small tuned bells played from a keyboard like a modern celesta. These bells were also used by carillon players for practice. (More…)

The Quality Timbre of Trumpet Ignored by the Concert continue…

Before Bach, trumpeters were classified as principals and clarino players, the former playing in the lower register with its widely-stepped harmonics, the latter in the high register where the harmonics lie close together. Shanks and crooks were already used as early as 1600 and by the end of the 18th century there were crooks for every key. These altered the timbre of the instrument, and there was some degree of energy loss as the vibrating air column negotiated the loops. Then came the valves, introducing more loops, and someone writing at the time of their application, towards the end of the 19th century, described them as ‘a failure as they obscure the upper harmonics, the main source of characteristic tone’. (More…)

The Quality Timbre of Trumpet Ignored by the Concert

The part for the trumpet is written on the stave immediately below that of the horns. Whether it is written for as it actually sounds or as a transposing instrument depends on the period of the music, the pitch of the trumpet and on the habit or preference of the composer.

The burnished physical appearance and the sound of this looped and narrow bore instrument are familiar and not likely to be confused with the shorter and wider cornet, because the cornet’s less noble tones are not often heard in the symphony orchestra (although Franck included it in his symphony). (More…)

Themes in Music: Trombone

In the score the music for the trombone is written in a bass or tenor clef on the stave over and sometimes beneath that of the timpani. The compass is two octaves and a sixth. The sound, produced by means of a shallow cupped mouthpiece which is lip vibrated, is powerful and rich in harmonics. (More…)

Musicians Repertoire and Tuba

The part for the tuba is written on the bass clef, under the stave carrying the part for the trombone. The tuba is not a transposing instrument, but should the part for the bass tuba go very low the sign 8va is used, obviating ledger lines and indicating that the music is to sound an octave lower than written. (More…)



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